The "auto" method of Cosmetic Correction is independent of image size (I think, I am writing this not looking at my computer). This is why I can get away with this. All I need to do is specify the sigma rejection parameters. If I were to use the Master Dark method of identifying hot pixels... then I need to match darks of 1x1 with 1x1 data and 2x2 darks with 2x2 data. This isn't the case for the "Auto" method.
So I think everything is OK...but I will look more closely at it this evening to make certain.
By the way, I hope others will chime in if they know the answer to things! (I will not always know...but together we can figure it out )
This is a valid point Adam. I missed that "auto" detail. It should work fine in this case, I believe. I always use the master dark method hence my confusion.
I would be very interested to know sort of the practical difference between "auto" vs master dark. I was not aware of the "auto" method being able to work like that this seems like a really good time-saver. Are there any trade-off's or gotcha's in using auto instead of the darks?
In my case "auto" is my best choice because I tend to use the same master dark frame from many weeks if not months. The hot pixel population changes (in the raw/new data) over time scales like this. So "auto" identifies hot pixels by a statistical likelihood of being an "outlier" - whereas the master dark is an accurate fixed pattern- but temporally it might not characterize things as well in the future. "Auto" may not be as precise in identifying hot pixels with a conservative rejection criteria- but I consider Cosmetic Correction only an incremental step in hot pixel removal. Dithered data with subsequent rejection will take care of anything CC misses.
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