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I just came across a statement from the official Pixinsight YouTube channel that surprised me. In this video https://www.youtube....h?v=7OZzfmCYmeA at 6:40 when introducing the newest version of WBPP the narrator says that they "recommend always using Drizzle" and then proceeds to use the scale of 1, meaning that the final image resolution doesn't get increased. I usually never use Drizzle because with my rig I'm always oversampled, but this made me think. I wonder what's behind that reasoning? Does anybody have an idea?
To try it out, I ran 45 light frames (plus all calibration frames) of the Cave Nebula through the complete WBPP process with Drizzling enabled. The good thing is that WBPP then outputs both a non-drizzled and a drizzled master light, so it's easy to compare the results.
I attach 2 frames with just a simple STF "nuclear" stretch, drizzled x 1 on the left and non-drizzled on the right.
What is immediately noticeable is that the drizzled master seems to show more contrast, sitting about halfway between the non-drizzled master and the non-drizzled master binned by 2 (not shown). So by simply drizzling by a scale factor of 1, do I get better signal to noise ratio, but not the downside of loss of resolution I would get by binning? The noise also seems to go up slightly, but that seems manageable in the days of NoiseXTerminator etc.
When checking for the SNR of the two images, SubFrameSelector gives me the following result:
So what's going on there? Does drizzling result in increasing SNR? And if so, how? I couldn't find an explanation anywhere, but maybe I'm just too clumsy to find it.
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