Not that all of the new PI scripts, processes, and techniques aren't confusing enough - but, in the middle of all this, I have chosen to take on the challenge of tackling some Mosaic Projects 2, 3, 4, and yes, 8 frame compositions. As I stumble through this now, I realize I have a few fundamental questions I should have considered sooner.
1. I think I mistakenly chose to "center" the most interesting part of my mosaic. As I walk through the process now I suspect that this may not be the best choice - since that means (especially in a 4 panel mosaic) that there are multiple "seams" where the most interesting material is. Am I looking at that correctly, and should I try to have my seams and overlaps in the less interesting parts of the collective image?
2. How important is it to have a similar number of exposures in each frame? Typically there will be more interesting frames - and some frames that might almost be empty. Do I need to spend a similar amount of time gathering info from all of the areas?? Or can I focus my time on the most interesting frames and still have the overall composition work well together?
FYI - I am doing almost 100% NB imaging (SHO), with a full-frame camera on a StellarVue 130 - and my subject matter can easily extend for many frames - but with significant intervening areas of dark sky.
Thanks for any feedback - and please feel free to add any other thoughts and considerations I might want to consider as I start exploring the Mosaic process.
And thank you Adam for your very informative tutorials on the subject.
cheers - bob
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